EMBEDING OBJECT2VR IN WEBSITE HOW TO
EMBEDING OBJECT2VR IN WEBSITE FULL

With only forward and backward movements, the users were always looking in the direction of the movement, which proved to produce less sickness. To avoid motion sickness, diagonal movement was disabled so that the users could only move forward, backward, and sideways. Using the thumbs is very intuitive as most users who have used joysticks before know how they work. The users had to move one of their thumbs in the direction they wanted to go.

They executed the users’ movement through joysticks of the VR headset controllers. The Battle on Neretva VR Application and Crvena stijena VR Application enabled the users to experience events from historical periods presented in museum exhibitions. However, this should be completed with a balance of immersion, control, and usability in mind. Scripted 3D camera movement or limited and focused camera movement could help inexperienced users. Younger users and gamers might expect a game-like experience with challenges and quests, but for users with no gaming experience, even moving through the 3D scene can be challenging. At this point, it is very important to give users enough information, that which is visible and hard to miss, while not annoying experienced users. It can confuse the users and induce dilemmas such as “where is the back button?”, “how to exit from this and return to the web page?”, “where is the mouse cursor?”, “what are the controls?”.

EMBEDING OBJECT2VR IN WEBSITE FULL

In the transition, users often do not see the same mouse cursor, and the scene is displayed in full screen, so no familiar web browser controls will be visible. The transition from simple web page content to fully interactive 3D scenes can be confusing for users. For some content such as 3D scenes, a user needs to use more controls to move the avatar through the 3D scene, which can be complicated for users who are not familiar with video games. Controls and interactions for different content can vary for some of the content, only a computer mouse is sufficient, and these controls can be familiar for most users because they are very similar to interactions with usual web pages. In one web application, users can see textual content, video content, interactive video content, images, 3D objects, 3D scenes, 360° video, interactive quizzes and games, and many variations and combinations of these. The content of these applications is also diverse.

EMBEDING OBJECT2VR IN WEBSITE HOW TO

How to achieve the highest possible immersion and the most comfortable user interaction is still highly debatable and constitutes a crucial part of the research conducted in the VR domain. All VR applications have one thing in common-user interaction with the app that must be designed and implemented because: “While we can feel the controllers in our hands, they do not represent the objects that we might pick or touch”. The findings can surely be applied to VR applications since they are also a form of a game, but we must understand that some of the new VR users are not gamers and so we must adjust accordingly. The usage of symbols in games and how they are perceived by non-gamers is shown in Horbiński’s paper, where he analyzed map symbols in the game “Valheim”. The useful experience from computer games was pointed out by Edler: “VR environments can be supported by new tools of user navigation and locomotion which have been adopted from video and computer gaming, such as mini-maps, signifying markers and teleporting techniques”. Through user-experience studies, we measure the user edutainment level and present how users react to implemented interactions. Users will find the stories told through these applications educational and entertaining at the same time. We describe the ways in which natural interaction and interaction via eXtended Reality (Virtual and Augmented Reality) applications for cultural heritage are made possible. This paper gives an overview of the techniques and discusses different means of facilitating interaction on digital storytelling applications for virtual cultural heritage presentations. Nowadays, an integral part of many museum exhibitions is interactive digital storytelling. All of this can be implemented using a digital multimedia presentation technique called digital storytelling. Additional information on the historical context in the form of stories, virtual reconstructions, and digitized objects is needed. However, digital resources alone are not enough to adequately present cultural heritage. Virtual depictions of crafts and traditions offer the users the possibility of time travel, taking them to the past through the use of 3D reconstructions of cultural monuments and sites. Digital technologies in the modern era are almost mandatory for the presentation of all types of cultural heritage.

Embeding object2vr in website