#Editready vs compressor pro#

The user interface provides (editable) presets for the encoding format and you can burn in a LUT if required.

#Editready vs compressor pro#

Of course, if your Mac was built before 2011, or if it’s a new Mac Pro (which uses Intel’s server chipset and so doesn’t have QuickSync) then you won’t see quite the transcoding acceleration that newer MacBooks Pros, Airs and iMacs will bring. It does this with a simple, batch interface – just drag-and-drop the files – and it does it very fast.ĮditReady leverages your Mac’s hardware to perform various bits of its transcoding – Intel’s QuickSync (built into most chip-sets since 2011) accelerates H.264 encoding and decoding, and the GPU is used to convert between colour spaces and sampling schemes, freeing the CPU to do what it’s good at, and saving power in the process. It takes pretty much any format video (if it will play in Quicktime then it’s likely to be compatible – so no REDCODE RAW) and transcodes it to ProRes, DNxHD or H.264.

EditReady takes pretty much any format video (if it will play in Quicktime then it’s likely to be compatible – so no REDCODE RAW) and transcodes it to ProRes, DNxHD or H.264.Ī bit of software that promises to transcode rushes for your NLE faster than the competition sounds like a Good Thing – we all spend too much of our lives watching that little blue progress bar inch, glacially, towards its destination.ĮditReady, from Divergent Media, is just such a solution.